Therefore, as we understand how to better use it, we will be posting primers on video processing and manipulation. We recently acquired a high-definition (HD) camera and are trying to discover it's possibilities. While it's images are stunning, the new technology ads an extra layer of complexity. Below is a guide to capturing footage shot on such a camera.
For Final Cut Pro & the Sony HDV 1080i mini DV camera:
- Open a new project
- Go to & click "Final Cut Pro" in the top toolbar
- Choose "Audio/Video Settings" from the drop-down menu
- When the dialog window pops-up, it shows the Summary tab first.
- In this tab, under Sequence Preset choose HDV - 1080i60
- under Capture Preset choose HDV
- under Device Control Preset choose HDV Firewire
- Now go to the Sequence Presets tab and make sure that HDV - 1080i60 has a check-mark
- Go to the Capture Presets tab and make sure that HDV has a check-mark
- Go to the Device Control Presets tab and make sure that HDV Firewire has a check-mark
- If that is all correct, click OK and select your Sequence 1 by single-clicking on it (you have to do this to be able to access the sequence settings - a must for capturing in this format)
- Now go to Sequence in the top toolbar and choose Settings
- In the dialog box, the General tab is the 1st to show
- Under Frame Size, choose your desired size (something HD for sure, like 960x720, but make sure that it is in 16:9 Aspect Ration if you shot your footage in Widescreen)
- Then set Pixel Aspect Ratio (to the same as the above choice and definitely HD), check Anamorphic 16:9 if desired
- Then set the Quicktime Video Settings to HDV 1080i60
- Then Click OK and you should be ready to Log & Capture
Sometimes it's something as simple (and upsetting) as merely not clicking on your Sequence before you set the preferences (see #6 in the list).
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